Gordon Parks, American, 1912-2006 Untitled, Miami, Florida1970, printed 2018 Gelatin silver print — Gordon Parks, Untitled, Miami, FL, 1970,
Gelatin Silver Print

During a recent conversation, I had the pleasure of speaking with Kimberli Gant, an art curator at the Brooklyn Museum. She is known for her innovative approach to curating contemporary art exhibitions. Gant’s style involves going beyond just the aesthetics of art and focuses on how it reflects our time’s culture, history, and human connections. Her curatorial selections in this latest exhibition, “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys,” showcase her ability to combine the narratives of various artists from different generations, backgrounds, and mediums. She creates an immersive experience that encourages reflection and conversation.

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Through Gant’s perspective, “Giants” emerges as a collection of artworks and a gateway into the complex interplay of identity, society, and expression. The Herculean effort behind the installation of monumental pieces, like “Big Wheel I” by Arthur Jafa, emphasizes the collaborative spirit driving these artistic endeavors.

Arthur Jafa, American, born 1960 Big Wheel I2018 — Arthur Jafa, Big Wheel I, 2018

Gant’s commitment to inclusivity and representation in art is commendable and essential. By curating a space that showcases both renowned and emerging artists, she challenges the traditional gatekeeping of the art world and fosters a more democratic dialogue around art. Her emphasis on engaging with art beyond the surface level further enriches this dialogue, encouraging visitors to delve into each piece’s stories, triumphs, and wisdom.

Jamel Shabazz, American, born 1960Breezy Boy Breakers, Midtown, Manhattan, NYC 2011 Chromogenic print — Jamel Shabazz, Breezy Boy Breakers, Midtown, Manhattan, NYC, 2011
Chromogenic print

During my conversation with Gant, it was clear that art has the immense potential to bring people together and promote communication and comprehension. The “Giant Conversations” panels throughout the exhibition aim to spark discussions from section to section and beyond the museum itself. These guides remind visitors that art is not a passive experience but an active invitation to explore, question, and connect with others.

“Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys,” is a reminder that art is a necessary conduit for exploration, conversation, and connection.